- The entire festival spread out over a 5.5 km purpose-built site housing 8 dynamic stages where more than 150 acts performed over three days for more than 450,000 visitors.
- PRG played a pivotal role in supporting Creative Director and Lead Designer Alex Reardon's vision, providing rigging, video, lighting, audio and automation for the festival's centerpiece, the Big Beast stage.
- Beyond the technical aspects, the project emphasized collaboration across disciplines and PRG entities, involving teams spanning Germany, the UK, France, Belgium, Spain, Netherlands, Dubai and Saudi Arabia. Approximately 109 onsite personnel were engaged and 60-100 individuals working remotely.
- Read the article to hear directly from Alex Reardon about his expert creative direction, and understand what makes this event so unique from both a design and cultural perspective.
Martin Heinemann has held a variety of different positions in his professional career in the event industry before taking up his current position as Head of Technology Audio. For more than three years, Martin was in charge of operations and scheduling as Sales Promotion / Operation Manager at Rocksound Network GmbH, an internationally active production company and technical outfitter of international touring productions, before taking on the role of Account Manager at Procon MultiMedia AG. This was followed by a position as Managing Director of Racks & Stacks GmbH and various freelance activities in the event industry. After returning to the company, meanwhile acquired by PRG, he worked as Directing Production Manager before taking on the role of Head of Technology Audio, giving him the chance to fully apply his affinity in this field professionally.